Macbeth

For Out of Joint. Max Stafford-Clark asked me to compose for this outstanding production, which set Macbeth in civil war-torn Africa and with Idi Amin as the role model for Macbeth himself. I composed the music for the opening, which took us to a French West African witches scene; and for the ending, where the influences are clearly the legacies of both Scotland and Sub-Saharan Africa.